sábado, 21 de Novembro de 2009

The Epic poem of the Darkness (69). The dictator complicates what is so easy



I recognized you fugitive of the window of the airplane
stealthy. In an endless African afternoon
always too pale, without serenity
consumed, with a lot of tropical rain
Always in the dream that ran for you
and in the we hugged each others
In we looked at each other during almost fifty years
of the History that pursues us

Of the sweet stabbed tenderness
While the rain forced our fragility
Because the Universe left
it is just
A man and a woman faking love
I woke up, I lost you forever
It is for that that I travel in the hope
Of meeting to the window
of a stealthy airplane

My birthplace was my world
I remember to feel her force
when he walked in his fertile ground
Now I have been loaded, perfumed, thrown to the filthy
Of the generations without life
of the Angolan dictatorship
of her petroleum
of their diamonds
of the soccer and of the real stadiums
inflammables, infamous

It was amusing, without currents, arrested in the traffic of the streams
And of their celestial gardens that they taught me to be woman
Divine as a symphony
in the celestial grass
They told me that the Nature was a picture, a painting
executed by my ancestors
That they came of very far

And that the babes were breastfeed of the sap of the flowers
They said of them that were other fragile paintings
Other creatures, other flowers in the celestial garden forever forbidden
of they be picked

That it was as soon as everything began in our World
The rivers were serpents and the sun invited them to meditate in the life
Everything continued like this until that a dictator sold us
he sold
The sunbeams that shone in the transparent stones
I lost the present and I mortgaged my future

He sat down dawning in the high of the Young man's hill
And he hoped the sun captured me
In bass the people bloomed in the morning transparency
Moving for the sadness of the infinite to extend supplicant
Of the hands, of the body in the mendicant solution
Without direction, without visual universe
That here lies in the presidential palace
of him, of them

My everyday one finished
It was a group of permanent memories
He is emperor, king, and our president
certainly of Shaka descending Zulu
In another civil war always living
Despairing that the mandate messianic architectural
without presidential elections
Last long in the coming generations, perpetuated

To govern is an art, the idiots don't think so
With the heads of such distant rural picks
As a difficult sensibility, where it doesn't drift her
To drive is so soft, simple

The dictator complicates what is so easy

Image: Angola em fotos

sexta-feira, 20 de Novembro de 2009

The Epic poem of the Darkness (68). Of the silent breeze of the flower of Diana



On this side of this lake I am
in the anxiety of the fish without water
His sorrow swimed in the cold night, I lament him crying
Because they don't clean me my sea of tears?!

My black love changed me for a white one
for other love
I await exhausts that Job rewards me
That I will hear the angels in the sky to sing
That I will be a lot close to them as those
That they believed in me and they escaped from the contempt
As they will make all the ones that waited the end of the slavery
That he appears, it perishes, it seems
that only after the death

That sad end to believe always in the men's invention
A not! They are many disguised wolves
But is where you? Because you don't give me a hope?
A tenuous memory is enough to dare to be happy
The truth is as the remains of a mirror
That it remained of building, and they taught like this us
to give up, to destroy
We only recognized ourselves when we are front of their ruins

The life is a fort disturbance alcoholic longing
She flees covered with an awning of the soft and abrupt thick fog of the palmar (population inside of a palm tree) *
Where the alcohols pursue our existence
The steams are intense, pleasant projects
If we got to wake up, enraged and frustrated stunned
In the invasion of the torpor, of the cry. Mediocre, soon I exist!
Of the universal victory: drunks of everyone, I united you!

The prow of the fog doesn't break up, they resume the clouds neurons
of the existence, of the anguish as vehicles in the city without light
With just their lights been dazzling in movement
As jasmines yellowish trying to meet again the lost sap
of the life
Hidden shadows of the lost nights
There are no days, just monumental static statues without dawning
In the empty glances, swollen of the lost silence somewhere
This is the sea, ours to navigate of the alcoholic oil tankers

As the difficulty of obtaining the simplicity
Of the silent breeze of the flower of Diana
Abandoned nature to the forest fires
Green-ash without undulation, in the sleepy sun of the endless days

Rejuvenating to age, to be born to resume
to die without transforming what surrounds us
Arrested in the colour of our pain

Heavy palm tree leaves bent by the green of the pain
And the time is not eternal
In the tragedy of the night I asked God to be inspired
But, glance? Yes! The house walls have fissures
Through where my freedom
it can peep

* in dictionary HOUAISS
Image: Angola em fotos

quinta-feira, 19 de Novembro de 2009

The Epic Poem of the Darkness (67). Uncertain, uncertain I go, where nobody waits for me


Of my languages Swahili, bambara, Yoruba, umbundu, kimbundu

They did, they invented a park Jurassic monkey-like

The sailing chooses, of the rocks of the special spice

The first discovery that the sailings, navigators in earth

They agreed to of unexpectedly was my sensual nakedness

There are centuries that I was discovered

Almost, when they arrived to place setting

In the covered with the ships and they didn't see

That they discovered me

he was already has been discovering very

In the nakedness that I invented

They screamed me related to kaffirs when I imposed the bikini

In the nude, in the nude Celtic hot ritual African forest

I still conserve the hot of the complexion, of my nakedness

I continue your legend, Fabled Mountains of the Moon

They didn't believe that the summits of the Kilimanjaro

they covered themselves of snow

My name, they are many invented names

Indigenous, native, kaffir, Gentile, black, monkey, dark

And in the area of the religion…demon

Forced of the ones that they came from the violent seas

And they saw other calm ones

We didn't have to work

The Nature was our gentleman

They called me kaffir because I love the waterfalls

And they heard to speak to me with my friends

Of the trunks, of the foliages and green leaves

The waters of the rivers and the trees

They invented him retreat of the time because

we didn't have palaces same to the of them

The buildings that our gods built

It is what remains of the White civilization

They rediscovered the old seas before navigated

I am still today hidden

Therefore they insist that I continue discovery

It was, I am different because of the torrid yellow

Of the disk solar, equatorial tropical

The purple of the Mountains of the Moon

he throws the summits of the nobility of the pearl

I have hope in worse days

The life is very simple but we complicated her

Without thinking, we preferred the pain

Of the loss of the voice, of the escape with hurried steps

Uncertain, uncertain I go, where nobody waits for me

Image: Angola em fotos

quarta-feira, 18 de Novembro de 2009

The Epic poem of the Darkness (66). Aretha Franklin


And of glory I glorified myself when Aretha sanctified
and in his halo she sang me. She spiritualized the kingdom
Of the Queen of my soul. She doesn't sing for us
She enchants God

She transferred me the dimension of the Passion of the evangelical hiding place
When we faced problems, let us fold again
Let us sing, let us sing

The rulers oppress the people
We want an answer, we didn't doubt of the bet
of the intolerance of the hunger. To govern is to starve
And the spiritual ones are an alert Aretha
Such celestial voices, so, so… spiritually Black

God offered the black distinction to the melodious Black
With voice so immortalized, so celestial
If that voice is the Sky, I want to go already for there
There are two Skies: one of the Lord, another of Aretha
I adore both

Aretha whispered me the reason of smiling, of extending of his finger:
I "indicate the good road of the Redemption. There is only a God
in the Road of opening a smile in my finger"

I charmed myself, I think I clarified myself very well:
"Aretha! it is easy to appear for the moral and social degradation
but our glance is lowered before who governs so badly"
We tried a peaceful boat to oars and we rowed
In the lake of rowed waters, calmed, acclaimed

And the Lord it evangelized the angelic waters. He preached to the jasmines
and the waters very smoothly were anxious
Intensely penetrated, perfumed. And they were revealed
and they possessed all the living one. And all rejoiced
God exists yes gentleman! It was revealed
Aretha Franklin, orders of the hymn of the special party of God

And the Master of the Statues gave him sound and tone, he made the Universal sculpture

Image: http://img.timeinc.net/time/time100/images/main_franklin.jpg

terça-feira, 17 de Novembro de 2009

The Epic poem of the Darkness (65). Tatiana Rusesabagina


The sorcery of Rwanda united us
when I hugged my dear friend Tatiana Rusesabagina
He always remains the memory of the Westerner slaughter
That the wars of the blacks only to them they belong
They are entitled of if they kill as well they understand

It is her war, it is among them. That they kill themselves, that great!
They be exterminated! How many better because they inconvenience a lot
They are deviations of the civilization, converted to the force, to the fork of the Christianity
As always the Whites fled
They left, they abandoned in the streets done of powder
That they were not moved before the mortuaries
Cemeteries outdoors, improvised

Massacred, quartered, they were like this the bodies, and their remains
abandoned. Failed to protect, give in the sun that in the soil the he toasted
he decomposed them. Everything seemed so unreal, as seeds thrown to the earth
without being cultivated. Crazy farmers that plant corpses
and they await that they are born plants to renew, to continue to kill
To stimulate the hate so that it serves as excuse to the genocide
and later to nickname him of Barbarians States

Before they were the crusades to free Jerusalem
Now they are to free Black, and everyday there is
Black crusades, pagans' slaughters
Dispersed corpses, habituated because they lost
the importance, they won the contempt of the abundance
Black Africa is a Rwanda diary

The champions of the democracy are perennial in the coexistence
Convenience, they support the dictatorships friends that guarantee his survival
It is as the militant literature, it defends the past
He darkens the present, it eliminates the future
We are nomads, we started the distemper to flee of the shots
and of the cutlass
We are food for jackals, hyenas, and vultures
And the political parties break in the mamma, of the cash in hand

There are many shines, but the dreams stay darkness, obscure

Image: http://www.blackfilm.com/i3/movies/h/hotelrwanda/010_l.jpg

segunda-feira, 16 de Novembro de 2009

The international Terrorism and the banks


The banks feed the financial system of the international terrorism. They are accomplices, they spoil the planetary populations. And the fundamentalism of the terrorism feeds as marabunta. The banks don't alter the rules of the slaughter of the international concentration camps of the demoniac banks.

And the fundamentalism is found, he screams overpowering, destructor, and winner: Allah is big! Allah is big!

Put an end to the spoliation of the bank terrorism and the international terrorism will fail.

The Epic poem of the Darkness (64). Phillis Wheatley


The longing hurts, it is a wound when reminding the value of a friend's friendship
A hunter of slaves deprived her of the freedom with only eight years
They forced her to not to pick more mangos, pineapples, bananas
the savages' fruits

She lost forever the interior, the secrets of her Mother's sorcery
the African jungle. It embarked orphan in the mother slaver
Oh! Don't do me badly! I never again promise to flee of the Whites

I won't arise more to the backs of the palm trees. No more I will refresh
I will satiate in the water of the coconuts. Because no more I will see them, I will eat
My parents, siblings, friends will remember. The tides in the sands won't hug
The morning is so enclosed, shaded unreal
He stripped to greet me. I see the prow of the slaver
That me have-of taking, to slide. No there is, I don't see, nobody doesn't come
To lean on, to help to save
The margin stands back, I think she sends me a smile

We are already far. He didn't know that the sea was like this big
so immense. Fortunately the slaver he is not afraid of him
they seem friends so. He should have a lot of hands that hold him
Or else he sank. I am afraid of this greatness and I burst into tears
The slaves' trafficker screams me. His voice is so potent
that the ocean shakes. "Ó spice, collects you in the cubicle! "
It recorded in the memory the furrows of the prow slaver that it broke eagerly
the marine currents. The rioted vacancies accompanied the hurry

Of the arrival without a destination. Of so far known
she docked in Boston, a New ignored World
Some of the modern slavers that redo the route
before African, take oath with fright
that they saw a ghost ship, flying Wheatley
A rich merchant bought her, she presented it as maid for her wife
You of the slaves could never know

That it mattered, she bought a poetess, a condor
The plantations of the illusions enslave us, as crowds
You gave him to study geography, history and Latin. If all studied…
To the thirteen years it demonstrated famous poetry

With twenty years in England published her
Exotic African with scale in the New World
Phillis Wheatley ended in the law of the jungle. Thirty and one years of Christianized fervour
Far away from the silent heat, of the caresser breeze, tender savage
Of the rivers swallowed by the valleys of the black poetry. Extinguished, unknown
Live in his black heart, known in their thoughts
Of very clear and intense movements

Image: http://farm1.static.flickr.com/41/101590847_d9af3b419a_o.jpg